Greige or Bright White?

You might be wondering which nylon color is best for dyeing.

From my experience, the best place to start is with untreated nylon; fabric that has not been previously dyed or optically brightened.

Many “bright white” nylons have been processed with UV fluorescent brighteners. These are essentially colorless dyes that bond to the fiber and make the material appear whiter and cooler in tone. The problem? They occupy dye sites in the fabric, which can interfere with how acid dyes absorb.

I’ve seen this firsthand in some batches of bright white elastics. Certain areas resisted dye uptake and produced uneven results, sometimes showing subtle striping where one section dyed darker and another remained lighter.

When you begin with a truly fresh, untreated base, there’s far less guesswork. Your dye behaves more predictably, and you don’t have to troubleshoot why one component is taking color differently than another.

This issue may be less noticeable when dyeing to very deep, fully saturated shades. However, it becomes much more apparent when working with diluted colors, pastels, or nuanced tones. Optical brighteners tend to cast a cooler hue, which can shift your final color in unexpected ways.

If consistency matters (and in lingerie dyeing, it usually does), starting with untreated nylon gives you the most reliable and controllable results.

What Are Optical Brighteners (and Why Do They Matter)?

Optical brighteners — sometimes called OBAs (optical brightening agents): are fluorescent compounds applied during textile finishing. Their job is simple: they absorb ultraviolet light and re-emit it as blue light, which tricks the eye into seeing the fabric as a cleaner, cooler white.

In ready-to-wear textiles, this is usually desirable. The material looks crisp and bright on the shelf. But for dye work, these brighteners can complicate things.

Because OBAs bond to the fiber surface, they partially occupy the same sites that acid dyes would normally attach to. This means your dye may not penetrate as evenly or predictably as it would on untreated nylon.

How to Tell if Nylon Has Been Brightened

Unfortunately, most suppliers don’t clearly label whether a nylon has optical brighteners. However, there are a few clues I look for:

  • Extremely cool or blue-leaning whites

  • Fabrics marketed as “bright white” rather than natural white

  • Materials that glow strongly under blacklight

  • Inconsistent dye uptake during test swatches

A quick blacklight test can be very revealing. Brightened fabrics will often fluoresce strongly, while untreated nylon tends to appear much more muted.

When sourcing for dye projects, especially for lingerie elastics, this small test can save a lot of frustration later.

When Brightened Nylon Might Still Work

To be fair, brightened nylon is not always unusable.

In my experience, it tends to behave better when:

  • Dyeing to very deep, saturated shades

  • Working with darker colors where minor variation is less visible

  • Projects where perfect color matching is not critical

  • All components are “brightened”.

Where it becomes problematic is in:

  • Pastels

  • Dusty or muted tones

  • Multi-component lingerie sets

  • Situations requiring precise color matching

This is why I’m particularly selective about the base materials I choose when I know I’ll be dyeing in softer palettes.

Other Factors That Affect Dye Results

Optical brighteners are only one piece of the puzzle. Several other variables can influence how evenly nylon takes dye:

Fiber content
Blends containing higher spandex percentages may dye slightly differently than pure nylon components.

Heat consistency
Acid dyes require sustained high heat. Temperature drops can lead to uneven uptake.

Water pH
Acid dyes rely on an acidic environment. If the bath isn’t properly acidified, results may vary.

Fabric finishes
Some elastics and fabrics have residual finishes from manufacturing that can resist dye.

Material density
Firm elastics, plush elastics, and sheer meshes can all absorb color at different rates.

Understanding these variables makes troubleshooting much easier when something looks “off.”

I highly recommend checking out @DaintyAlchemy on Instagram for any dyeing methods. She walks through everything.

My Recommended Test Method (Highly Recommended)

Before committing to a full dye batch, I always recommend testing.

My typical workflow:

  1. Cut small swatches of each material

  2. Dye them together in the same bath

  3. Rinse and fully dry

  4. Compare under natural light

This quick step reveals:

  • Tone shifts

  • Uneven uptake

  • Differences between components

  • Unexpected cool or warm casts

Special Considerations for Lingerie Elastics

Lingerie elastics can be particularly sensitive during dyeing because of their structure.

Things I watch closely:

  • Picot edges sometimes take dye differently

  • Plush-backed elastics and channeling

  • Firm elastics can resist dye more than softer ones

  • Narrow elastics may show variation more easily than wide ones

    TLDR: Textures!!!

Final Thoughts

While optical brighteners make fabrics look beautiful off the bolt, they can introduce unpredictability during dyeing , especially for the soft, nuanced color palettes many lingerie makers love.

Starting with untreated nylon gives you:

  • More consistent color

  • Better predictability

  • Easier color matching

  • Fewer surprises mid-process

And in my experience, anything that reduces guesswork in dyeing is always worth it.

If you do decide to use bright white, try to make sure that all other notions are also bright white white so that they are the same hue.

Let me know if this information has helped you or if you have anything to add!

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Required Base Materials For Bra-making

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Modifying The Orlaya Garter Pattern